Course Catalog

PAINTING PARIS (AR1090)

Paris and its surroundings will be used as the model for this introductory painting class. This exceptional setting has inspired artists for centuries, and students will work outside as well as study the wealth of images of Paris to develop their artistic possibilities and choose a direction for themselves. Initially, basic drawing and painting techniques will be taught with an emphasis on how to convey space, light, and volume to capture the beauty of the city. Progressively, students will be encouraged to paint in a more personal and expressive manner. Oil paint is recommended, but other media are welcome.
The course has an extra course fee of 49 euros. May be taken twice for credit.

TOPICS IN FINE ARTS (AR1091)

Topics vary by semester

FIRSTBRIDGE IN FINE ARTS (AR1099)

Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.

TOPICS IN FINE ARTS (AR1910)

Topics vary by semester

DRAWING II (AR2012)

Explores in greater depth the concepts of drawing presented in AR 1010. Concentrates on the study of volume, the construction of shallow and deep space, and the design of shapes and negative space. Working from life provides the main focus; however, drawing from memory and collage develop visual imagination and personal expression.Please note that an additional fee will be charged for this course. May be taken twice for credit.

PAINTING II (AR2016)

Offers a basic study of visual analysis and contemporary painting techniques. Color theory and its practical application and a solid understanding of painting materials are central to the course. Working from life provides the main focus. Different methods of paint application are introduced, including direct painting, glazing, scumbling, and the use of the palette knife.Please note that an additional fee will be charged for this course. May be taken twice for credit.

SCULPTURE II (AR2032)

This course will focus on consolidating the basics of sculpture: firstly learning how to build up forms using planes and structure, and secondly mastering the carving technique. A nude model (male or female) will be posing for the class for at least 4 sessions, so if for any reason whatsoever this is problematic, the student is advised not to take the class. Proportions, measurements and axis will be discussed in detail, and numerous reviews of individual work will take place throughout the semester. The class will then focus on personal expression by creating from imagination, abstraction and figuration, and by developing an understanding of how to conceive and compose forms in space. The course will emphasize the different techniques not involving an armature. The main material used for sculpture will be clay. We will also study both Henry Moore and his approach to monumental sculpture and Alberto Giacometti’s creative world. A few excursions will be organized to museums. During these visits students will draw on sketch books with pencils or “sanguine” (red chalk).

JEWELERY MAKING (AR2035)

This course will introduce students to the key aspects of applied arts process: the influence of materials, of specific tools and techniques, of design constraints and the importance of justifying and visualizing their ideas. Students will improve their creativity by drawing and by handling specific materials and tools to develop a set of jewelry (models in brass and pewter).

PARIS VU PAR LES PHOTOGRAPHES (AR2046)

This course is intended to expose students to the various neighborhoods of Paris. They will discover many aspects of the city - the unexpected, the hidden culture, and the everyday lives of Parisians by plunging into the works of Brassaï, Doisneau, Cartier-Bresson, Kertész, Lartigue, Sieff, Bourdin, Newton, Klein, Calle and other masters of photography. The course encourages students to develop their own creative process by producing porte-folios including both their photographs and their written texts on Paris.
Ce cours fait découvrir aux étudiants les quartiers de Paris, leurs aspects les plus insolites et les plus secrets mais aussi les plus quotidiens en les plongeant dans les univers de Brassaï, Doisneau, Cartier-Bresson, Kertész, Lartigue, Sieff, Bourdin, Newton, Klein, Calle et autres maîtres de la photographie. Ce cours privilégie une démarche créative de la part des étudiants qui devront produire des photos et des textes sur Paris.

2D MIXED MEDIA (AR2050)

2D Mixed Media is a course that demands experimentation. Each exercise will require the overlaying of at least two mutually compatible mediums to obtain visual effects that are impossible to achieve with a single medium. Further, non-traditional supports for each assignment will enhance the artwork of every student and introduce them to the many possibilities available to contemporary artists