Firstbridge courses are offered to degree seeking freshmen and registration is done via webform in pre-arrival checklist.
Professor(s)
Notes
In this class we consider authors who have used narratives, essays, journals, correspondence, and playfully inventive forms to explore different aspects of self-knowledge. The course has critical and creative components. Critical, since students develop skills of reading analytically and learning how to situate a text within a particular historical context. Creative, since students practice autobiographical writing in the forms deployed by their assigned authors. By learning how others have documented their experience across different genres, students become better readers of themselves and the world around them. They moreover enhance their ability to articulate this understanding in writing with greater clarity. Authors studied may include Saint Augustine, Michael de Montaigne, Madame de Sévigné, Jean-Jacques Rousseau, Vincent van Gogh, Franz Kafka, Alejandra Pizarnik, Joe Brainard, Chimamanda Ngozie Adichie, and Han Kang.
Learning Outcomes
- Information Literacy: Students will comprehend how information is produced and valued in order to discover, evaluate, use, and create information and knowledge effectively and ethically. In FirstBridge, students will demonstrate the conversational nature of scholarship, and recognize their potential role and responsibilities as contributors to that conversation. For each discipline taught in FirstBridge, students will identify reference works, journals, databases and/or major works in history, in order to start effective research in the field (FB LO1)
- Life at University: Students will acquire the study skills, time management, and interpersonal skills needed to meet the demands of university-level academic work at a Liberal Arts College individually or as a team. Students will value the multiple meanings of place through experiential learning at AUP and beyond in the Parisian or global context (FB LO2)
- Students will explore autobiographical writing in the West, from the dawn of Christianity to the present
- Students will recognize how differences of form affect how the self can be told
- Students will become acquainted with the methods of several disciplines in the humanities, both scholarly (history, art history, comparative literature, philosophy) and creative (fine arts, creative writing)
- Students will cultivate attentiveness and sharpen powers of observation
- Students will be provided an introduction to some French culture and history through our readings (authors taught include Montaigne, Rousseau, Duras), reflective seminars (museum visits), and a study trip to Bordeaux and Saint-Emilion (designed to reinforce elements taught in both FB courses)
- Local and Global Perspectives: Students will enhance their intercultural understanding of languages, cultures, and histories of local societies and the global issues to which these relate (CCI LO1)
- Aesthetic Inquiry and Creative Expression: Students will engage with artistic or creative objects (e.g., visual art, theatrical works, film) in different media and from a range of cultural traditions (CCI LO2)
Syllabus
Book List
| Title | Author | Publisher | ISBN Number |
|---|---|---|---|
Notes on Grief | Chimamanda Ngozi Adichie | 4th Estate | 9780008470333 |
Letters of Vincent van Gogh | Vincent van Gogh | Penguin | 9780140446746 |
Letter to His Father | Franz Kafka | Schocken | 9780805212662 |
The White Book | Han Kang | Portobello | 9781846276958 |
Schedule
| Day | Start Time | End Time | Room |
|---|---|---|---|
Tuesday | 13:45 | 15:05 | G-L22 |
Friday | 13:45 | 15:05 | G-L22 |